SCULPTURES
Independent sculptural works exploring material tension, human fragmentation, balance and emotional presence.
BEYOND THE 196 UNIVERSE
Alongside the interconnected mythology of the 196 Universe, these sculptures exist as autonomous explorations of form, material and emotional presence.
Each work investigates a different sculptural tension:
balance and collapse,
fragmentation and identity,
weight and silence,
structure and vulnerability.
Some pieces emerge through experimentation.
Others through reflection,
material dialogue
or intuitive transformation.
Together,
they form an independent sculptural landscape outside the narrative structure of the 196 series.
THE FIRST SEARCH
My sculptural journey began in 2010 during a retreat in Axat, France.
The first experiment emerged from silence and introspection.
A stone eye searching for direction,
focus
and a possible way out.
FRAGMENTS OF SELF
Since 2011, the “Fragments of Self” series has explored emotional identity through isolated body forms.
One sculpture was created each year in Thueyts, France,
where direct sculpting became a dialogue between material,
memory
and psychological reconstruction.
Each fragment reflects a different internal state —
unfinished,
vulnerable
and continuously transforming.
BETWEEN BALANCE AND COLLAPSE
(Footy Moodprints)
In 2017, exhaustion transformed into form.
The feeling that “everything hung from my feet” became the starting point for a sculptural exploration of movement,
pressure
and emotional weight.
“Between Balance and Collapse” investigates how emotional states become physically carried through the body.
The series originated from a collection of sculptural experiments called “Footy Moodprints”.
TWISTED HEADS
After attending seminars of Tony Robbins,
a new realization emerged:
change can happen in a fraction of a second.
The “Twisted Heads” series reflects the moment where perspective shifts —
from looking downward
toward looking upward.
The sculptures explore transformation,
mental redirection
and the fragile moment where thought begins to reshape identity.
THE HAND OF POLYPHEMUS
The final obsession became the human hand.
A symbol of construction,
creation,
decision
and transformation.
The Hand of Polyphemus reflects the idea that reality itself can be reshaped through conscious action,
vision
and human intention.
MATERIAL AS MEMORY
Sculpture became a way to externalize inner movement.
Each material carried a different psychological weight:
stone, bronze, plaster, polyester, silence and transformation.
These works are fragments of lived experience —
suspended between collapse and reconstruction.